“I am more and more convinced that true revolutionaries must
perceive the revolution, because of its creative and liberating nature, as an
act of love.” (Freire’s footnote on p.
89)
I know that we’ve read a chapter out of Pedagogy of the Oppressed before, but I think that we should have
already read the entire book—I feel like Freire’s work should be the bible of
urban teaching/culturally relevant pedagogy.
I mean, I’m sure that it kind of is already, but I feel like it should
be given out at the beginning of our coursework. Its philosophy provides the foundation of so
much of why we teach the way that we want to teach. Honestly, I want to make time to return to it
every year to kind of ground myself in what I’m doing. As Freire points out, unless you’re
constantly reflecting on what you’re doing, you could fall prey to going back
to a position of the oppressed, wherein you “talk about the people, but [the
teacher] does not trust them.” In the
Texas public educational system, I think that you constantly have to be at that
work of praxis, of action and reflection, because so much of what you have to
deal with in order to remain hired as a teacher is the enforced pedagogy of the
oppressor. It’s funny to think that the
American public education system wants students to become critical thinkers,
but the restrictions that are imposed upon the classroom create the opposite
environment for that work to be done.
At the heart of Pedagogy,
Freire emphasizes that teachers/revolutionaries (I kind of just want to call
myself a revolutionary from now on) have to be thinkers and doers—he likens
praxis to the word, in that there must be both action and reflection. It’s almost like Freire is talking about that
educational term “best practice”; in order for the best practice to occur (and
by “best practice,” he means transformation of the world order), teachers have
to act and reflect on those actions. In
addition, they must charge their students to be involved in the same praxis
through dialogue. When Freire expounds
on what he means by dialogue, I was pretty much swooning. The language gets pretty New Testament
biblical, I think, since he says that dialogue can only exist through love,
humility, faith, and hope. That’s some
real talk. Honestly, I think that we tend
to think of those who love and have faith in others and have true hope for
change as weaklings, in that they’re not strong enough to face the bleakness of
reality. No. Freire points out that “love is an act of
courage” (89), an act of bravery, and an act of freedom. Control and manipulation in the classroom,
and on an administrational level, is not an act of tough love. That is no love at all, and when this kind of
love becomes acceptable in urban schools, it is no wonder that the schools
fail. The students are still oppressed.
One issue that Freire brings up about the oppressed is the
oppressor’s consciousness that they have internalized. Because the oppressor views the world and
those operating in the world as things to be possessed, the oppressed also
begins to think of “being” as “having.”
My ELA IV students defined success in a warm-up at the beginning of the
year, and most of them explained that success involved monetary comfort. They may not have said that they wanted to be
outrageously rich, but they all mentioned having things as being a measure of
whether or not they’ve “made it.” It’s
difficult to work beyond this conception of success because, to some degree,
they do need things, and I understand
why they want more. Who am I, a person
from a mostly middle-class family, to be the person to tell them that success
doesn’t have to be defined through accumulation of wealth? I’d really want to have a year-long
discussion on this idea, and return to it at the end of the year. (Although, according to Freire, I’d need to
make sure that they want to talk
about this issue.) Still, to get there,
I need to make sure that I’m being a model of praxis and true dialogue, working
with my students side by side. Sometimes
I find it difficult to cede control to others, but my resistance to working
with would only mean that I, too, have played into the oppressor’s game where I
am more concerned with a love of death rather than a love of life.
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